Sell a company: Media & communication

Sell a company: Media & communication: create a listing on company.ch with category, location, guide price and handover. Choose open, discreet or anonymous visibility while private seller data stays protected.

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Selling a media or communications business: value, evidence and handover

When selling a media or communications business, the listing should explain recurring clients, audience or distribution, content and usage rights, project margin, talent and dependence on personal reputation. Buyers need evidence that the operation, people and rights can continue after completion without exposing unpublished content, client strategies, audience personal data, credentials, confidential rates and licensed third-party assets in the public offer.

Explain what creates value when selling a media or communications business

The public profile should make recurring clients, audience or distribution, content and usage rights, project margin, talent and dependence on personal reputation measurable and separate recurring performance from one-off results. It should also state what the owner still handles personally and which assets, contracts or premises are part of the proposed sale.

Prepare the evidence a buyer will request

Prepare revenue and margin by service, anonymised mandates, audience and campaign data, contracts, archives, licences, freelancer terms, pipeline and team roles. Reconcile every financial summary to the same sale perimeter and identify consents, licences or third-party rights that require a separate check.

Reach buyers with the right operating fit

Agencies, publishers and complementary media groups can fit when they can retain creative quality, rights and client relationships. The listing should make essential qualifications, capital, location and owner involvement clear enough to filter enquiries without narrowing the search to a single buyer type. Keep unpublished content, client strategies, audience personal data, credentials, confidential rates and licensed third-party assets out of the public listing and first document pack. Use anonymised concentration, ranges and role descriptions until a buyer has been qualified and the information is needed for review.

Plan continuity through the handover

Give every active campaign or production a brief, approvals, rights, budget, suppliers, files, deadlines and a new responsible contact. Assign responsible people, dates and completion evidence rather than describing the seller's support only as an undefined transition period.

Related seller guidance for a media or communications business

Explore the relevant industries or return to the main seller page: sell a company, Printing company, Marketing agency, Advertising agency and Web agency.

Questions to resolve before selling a media or communications business

How can I demonstrate recurring revenue and an authentic transferable audience?

Use several comparable periods and show the figures that explain recurring clients, audience or distribution, content and usage rights, project margin, talent and dependence on personal reputation. Separate recurring operations, exceptional events, owner adjustments and any assets or costs outside the proposed transaction.

Which content, archive, licence, freelancer and distribution rights should be documented?

Prepare revenue and margin by service, anonymised mandates, audience and campaign data, contracts, archives, licences, freelancer terms, pipeline and team roles. Start with aggregated information, then release original documents in a controlled process once the buyer and transaction fit are credible.

How should I explain dependence on personal reputation, talent or a major client?

Test how recurring clients, audience or distribution, content and usage rights, project margin, talent and dependence on personal reputation would change when the current owner steps back. Identify reliance on individual customers, employees, contracts, premises or permissions and explain the practical measures available to reduce that dependence.

How can active productions, campaigns and audience communication move to the new owner?

Give every active campaign or production a brief, approvals, rights, budget, suppliers, files, deadlines and a new responsible contact. Turn these topics into a timetable with owners, access, introductions and a clear point at which the buyer operates independently.